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By A. R. Davis

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Example text

I told myself, “These are quite enough for a collection. ” So I gave myself a cognomen, Master of Ten Inkslabs. I put them in a cabinet, which I named Inkslab Den. From time to time I would take them out, place them on the table, and sit there, facing them, in great pride. A friend of mine reproved me for my obsession with them. ” One day a friend who had an eye for inkslabs examined them and found that none was of superb quality. I said, “My friend, you know I am obsessed with inkslabs. Why should I be obsessed with superb ones only?

The Hsiang-chi Belvedere T he Hsiang-chi Belvedere1 was formerly called the Southern Pavilion. It was less than twelve feet square, just the size for one person to live in. An old shed about a hundred years in age, it was penetrated by dust and dirt, and when it rained, water would seep in. I used to try to relocate the desk and yet, looking around, could not find a dry spot for it. Also, the room faced north and therefore did not get any sunshine; as soon as noontime passed, it would grow dark inside.

Nevertheless he managed to make a national name for himself through his pedagogic activities—by his cognomen “Master of Cheng-ch’uan”— as the leading prose writer of the age. When he finally won the degree of Metropolitan Graduate in 1565, he was nearly sixty years old. He was then appointed as magistrate of Ch’ang-hsing County, where he practiced a policy of benevolence, reducing as much as he could the official business of litigation. Unappreciated by his superiors, he was transferred in 1569 to become assistant prefect of Shun-te Prefecture, with the specified assignment of managing the government horse stables and pasturage, during the term of which office he wrote several essays on the history of horse culture.

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